www.creativenetworksonline.com March 2009

Welcome to March's Issue of the Newsletter for members of "The Creative Networks"

'Creative Networks' at Birmingham City University's Technology Innovation Centre (tic) is about bringing together all parties involved in sound and screen-based media in the West Midlands. 'Creative Networks' seeks to promote both successful business development and collaboration. It also seeks to contribute to the establishment of a strong, long-term, sound and screen-based Creative Industry in the West Midlands. The tic achieves this through increasing knowledge sharing and use of innovative technologies, creative practice and business processes.

Regular monthly networking events are held at tic. They offer opportunities for individuals and companies to network, make pitches and identify the resources they are seeking or support for the projects they are planning.

Visit our online portal www.creativenetworksonline.com for up-to-date news, funding, business support, training and tender opportunities.

In This Issue:
1. COMING UP - April's Creative Networks Event *DON'T MISS OUT*

  :: David Lowe: Making Music for Media
2. Event Reviewed - February's Creative Networks Event
 

:: Summaries of the Open Floor Pitches
:: Key Speaker Ash Atalla

3. Media Vault - Equipment For Hire
4. The Music Network - Monthly Networking Event held at tic
5. i4 Skills - NEW Courses NOW Available
*DON'T MISS OUT*
6. Other News
 

Virgin Media Shorts

We’d also like to hear from you!
Contact Dave Taylor, the Creative Networks co-ordinator with any feedback, case studies, success stories, interesting projects, collaboration opportunities or news:
:: phone 0121 331 5400
:: email creative.networks@tic.ac.uk
:: or post to Technology Innovation Centre, Millennium Point, Curzon Street, Birmingham, B4 7XG
:: or online at www.creativenetworksonline.com
1. COMING UP - April's Creative Networks Event *DONT MISS OUT*
Thursday 30th April - From 6.00pm until 9.00pm at tic, Millennium Point

David Lowe
Making Music For Media

Creative Networks welcomes David Lowe to share his expertise and tips on making music for Television, Radio and Film. His work includes all the current themes for BBC News, in addition to other British television programmes including The One Show, Panorama and Wildlife on One. For radio, he was responsible for the current identity of the BBC World Service.

 

 


David released his debut album Dreamcatcher during 1997 and achieved a Top 3 UK hit courtesy of his single 'Would You…?'. He has performed at several WOMAD festivals worldwide and was commissioned to provide a music soundscape for The Tropical Biome at the Eden Project (WOMAD Reading 2005).

During 2006, he was commissioned to write the music for the BAFTA Film and Television Awards and for the BBC's coverage of the Winter Olympics.

This event is free to attend. If you would like to join us, please email creative.networks@tic.ac.uk, or phone 0121 331 5400. Alternatively, you can register online via the Creative Networks portal www.creativenetworksonline.com.

2. Review of February's Creative Networks Event

Thursday 26th February - From 5.30pm until 10.00pm at tic, Millennium Point

3rd Annual Creative Forum

Guest Speaker: Ash Atalla

Creative Networks is the leading monthly networking forum for creative companies in the West Midlands. Sponsored by the Learning and Skills Council (LSC), the third annual Creative Forum Event expanded on our usual programme of networking and guest speakers, with an opportunity to meet the wider support organisations in the region.

The event began at midday with a particular focus on making training relevant to employers’ needs. Run under the aegis of West Midlands’ LSC, 37 delegates heard from:

• Cath Greeff – Sector Skills Council adviser on Apprenticeships and Education Providers for creative industries, who gave a skills update.

• LSC’s Noel Dunn, discussion Panel Chairman. • Business Link’s Lara Ratnaraja who presented the relevance of training to employer needs in the economic downturn.

• LSC’s Skills Development Director Nigel Gaynor, who gave an update on future plans.

• Wolverhampton College’s Chris Harding who presented a Creative & Media Diploma case study

• Lifelong Learning Network’s Nigel Beer who gave an activities and projects update.

• Jason Hall presented the findings of Screen WM’s ‘credit crunch’ survey.

The Forum was followed in the early evening by a special ‘Creative Enterprises’ employer session that 15 businesses attended in order to learn about the key initiatives available to support training and development through the economic downturn. This was jointly hosted by the LSC, Business Link and Screen WM.

At the same time, The Music Network Group, which meets here (please see below for details) from 4pm before each Creative Networks event, welcomed 17 members some of whom joined us later to hear this month’s guest speaker.

Well over a hundred people attended our evening event, 42 of whom were new members, making a staggering total turnout for the day of close to 200.

At this Creative Networks event (No.51), we welcomed Ash Atalla, best known for producing the hugely successful comedy series THE OFFICE, as our Guest Speaker.

As usual we gathered in the café for the opportunity to talk and network with other individuals representing the creative industries across the region.

Summaries of the Open Floor Pitches




Rapid Pics

phone 07834 370 703
email Contact@rapidpics.com
web www.rapidpics.com

Poster

Jez Collins

Cham Athwal

Birmingham City University

Cham Athwal

phone 0121 331 5400
email cham.athwal@tic.ac.uk
web www.tic.ac.uk

More than 30 staff with expertise in:
Web Technologies
Interactive Media Technologies
TV and Film Technology and Production
Sound and Music Technologies

Available to support you with realising and implementing projects

4ip
TSB – Accessing and Commercialising Content in a Digitally Networked World
KTP schemes provide you with:
a recent graduate recruited and supported by University academic
access to University facilities
financial support for training, travel and consumables (including laptop)

Classic KTP – 18 to 36 month projects - STOP PRESS: From April 2009 the cost to the company has been substantially lowered, part of the government's measures to support companies during the current downturn

Shorter KTP – 10 to 40 week projects

Anthony
Andy Derrick
Anthony Hughes



Sostenuto

Andy Derrick and Anthony Hughes

phone 07595 663966
email info@sostenuto.org.uk
web www.sostenuto.org.uk

Sostenuto LLP is a partnership of creative workers bringing their collective experience and expertise together under one organisation. We offer: -

Consultation - A bespoke service aimed at creative enterprises offering advice and strategy in developing a sustainable business. We do this through an initial needs analysis, mentoring and online support in a variety of formats.

Visual Branding - Using video, photography and other visual media to broaden, enhance and develop marketing strategy, reach and effectiveness.

Online Strategies - Integration of digital media with established marketing and delivery models leading to a greater targeted online presence and new routes to market.

Areas of professional expertise: -
Performing Arts.
Video and Muliti-Media Production.
Music Composition and Production.
Business Training - ranging from SME/ Start up to public and private sector.
Business Mentoring and Consultancy.
Education and Network event Development, Planning and Delivery.

NOTE: If you would like to promote your own company in this way and get your message across to all the attendees at CN (as well as getting a mention in our monthly newsletter) please contact Dave Taylor on 0121 331 5400 or email creative.networks@tic.ac.uk

Key Speaker: Ash Atalla

Ash Atalla
Ash Atalla



Ash Atalla

Ash Atalla introduced himself by explaining that he’d prepared a presentation entitled ‘Creativity in the Credit Crunch’ but deciding it was too dry, he tore it up and started again. Instead, he talked candidly about his career to date and the early difficulties The Office (hit TV series) team had faced.  In typical style, Ash gave us an indication of the full flavour of the stories he was about to tell with the new title: “How The Office might never have happened if I hadn’t been so crap at maths (and I may never have got to insult Danny Devito)”.

Ash was prompted to think of this approach when watching the recent Oscar Awards and hearing about how the film ‘Slumdog Millionaire’ nearly didn’t happen, illustrating the point that sometimes the biggest triumphs occur despite difficulties in initial development. Circumstances conspire so that projects hang by a thread but random events lead to surprising outcomes, often contrary to expectations.

Showing us four clips, including scenes from ‘The IT Crowd’ and ‘The Office’, Ash explained that since he grew up in the ‘Thatcher’ years he initially decided that he wanted to be a stockbroker. This would be a sure route to a high octane lifestyle of fast money, women and cars! Once he started work in this role, Ash soon realised that it wasn’t for him. He’d concentrated on the Marketing aspects of his Finance degree at Bath University and once presented with a screen full of figures began to realise that he was useless at maths. After a year, Ash had to rethink his future and decided it would be worth getting into TV.

Securing a work experience position at the BBC, he joined the team on ‘Watchdog’ with Anne Robinson – answering phones and dealing with customer queries on white goods such as Zanussi washing machines! By his own admission, his performance was just below average but he had the good fortune to be moved to another department where he worked as a Researcher for Carol Vorderman. At this stage, in his mid twenties, Ash now had two failed careers behind him and as he moved yet again, to the Comedy Department, he decided he ought to find out what he was actually any good at.

On his first day, as a junior researcher for ‘Comedy Nation’, he made the acquaintance of Stephen Merchant who, in turn, introduced him to Ricky Gervais. At that time, Ricky had a ‘seedy boss’ sketch, an idea which was developed to become the ‘David Brent’ character and eventually ‘The Office’ TV programme. The other main characters, Tim – brighter than required for his job, Dawn – the sweet, smart Receptionist and Gareth – the nightmare military nut, soon followed compiled on a five minute ‘taster’ tape that Ash and his co-conspirators showed to the then Head of BBC 2, Jane Root. The rest is, as they say, History, but it was not without its fair share of trials and tribulations.

Since the show was essentially about the atmosphere of boredom in the workplace, it was a challenge to bring the commission to screen. Ash described the process as a war of attrition! One of the conditions imposed on them was that an experienced production team should be employed. This turned out to be a crew that had previously worked on another long running TV comedy series that was hugely successful. But it led to something of a culture clash and because much of the initial footage, shots of nothing much happening to set the tone of the claustrophobia of office life in Slough, grated with the crew there was a mass walkout! However, a new team was put together and filming was successfully completed.

Poor viewing figures for the first broadcasts did not help Ash and his colleagues. For the first show, there were 1.2M viewers and that remained the case until the fourth show when a figure of 1.3M viewers was established. The BBC did some research which suggested that most people thought the show was real rather than dramatised! Only ‘Women’s Bowls’ was a less popular show, so ‘The Office’ was very much a ‘slowburn’ in the public consciousness. Like ‘Slumdog’, reviews were good but it took a while to gain momentum.

The series might have ended there and then but with late night repeats shown very soon afterwards, popularity began to grow. A BAFTA Award followed and a second series cemented its reputation, as a darker mood prevailed with David Brent’s office merging with the Swindon branch and his gradual unravelling provided awkward, hilarious and yet compulsive viewing. At the end of this second series, ‘The Office’ had viewing figures of 5M.  The same ‘slowburn’ has been evident with the more recent BBC 3 ‘Gavin and Stacy’ show, which won its BAFTA on the same night that the last episode of the second series was broadcast. 

Success had been hard won, ‘The Office’ was now the new ‘Friends’ and Ricky Gervais had attained star status so that the team began to enjoy more leverage and clout. The climax was reached with the nomination for a Golden Globe Award (a first for a British TV programme) and the team were flown to LA. Though the BBC’s American office briefed them that they stood no chance of winning since the other nominees were ‘Sex in the City’ and ‘Friends’. Ash commented that the whole experience, the cheesy limo etc., felt like they were being treated as though they had just won the lottery. As they arrived at the ceremony to face the cameras it was all very odd because it wasn’t as though anyone there instantly recognised them.

They decided the best policy was to enjoy the experience and it came as something of a surprise when, after much food, drink and merriment, technicians appeared to mic them up. As it dawned on Ash and Ricky that they must be about to receive awards, they became rather nervous. The evening turned out to be a triumph with Ricky also receiving the ‘Best Performer’ award and, despite their relative obscurity; ‘The Office’ won two Golden Globes! You didn’t have to be a lip reader, watching the transmission, to see Clint Eastwood in the audience asking his partner “Who the …. are they?”

Interviews on the spot followed, reminiscent of the recent ‘Slumdog’ Oscar winner interviews with similar ‘unknowns’. Both Ricky and Ash had relaxed a bit post ceremony and were lapping up all the attention when who should approach them but their hero Danny Devito. He’d come to congratulate them but, not meaning to be off hand in the presence of such an icon, in order to make small talk, Ash said something about their relative heights to which Danny Devito took great offence and walked off! Needless to say, with such an outcome to the face to face meeting they’d both longed for, Ricky was not amused with Ash.

So this was “How The Office might never have happened if I hadn’t been so crap at maths (and I may never have got to insult Danny Devito)” came about. We were delighted that Ash had torn up his original presentation, he’d told us the whole engaging story in such detail that we felt as though we’d lived the experience with him. Several questions followed from the audience and Ash was more than generous with his responses, leaving us to travel home with at least one script passed to him from one of our attendees.

We learnt a great deal about the industry and indeed about the fickle nature of fame and success from listening to Ash and we can’t thank him enough for accepting the invitation to be our key speaker. We wish him every well earned success in the future and, after hearing his fabulous story, we’re sure to be enthralled by whatever comes next (so long as he doesn’t suddenly improve his maths and become a stockbroker!), we’ll watch that space with keen interest.

3. Media Vault - Equipment For Hire

The Media Vault continues to support the region's existing and start-up businesses, with access to its content creation and distribution facilities based at Millennium Point. These facilities are available at very competitive commercial rates. Visit www.mediavaultonline.com for further details of how to access this, other equipment details and download our Rate Card.

New Equipment
New Equipment
For further information contact Michael Bickerton – email: michael.bickerton@tic.ac.uk or register online at www.mediavaultonline.com

4. The Music Network
Music Network

The Music Network leads a monthly networking event at the tic for all music related businesses from the West Midlands region.

Running successfully for over five years, their meetings have proved inspirational in the support, development and promotion of thousands of music related activities.

If you have news to report, events to promote, points for discussion or a pitch to make, the Music Network will be useful for you.

They offer access to contacts, opportunities, help, advice and guidance - and even free tea and biscuits.

The Music Network is a voluntary, not for profit, social enterprise organisation seeking charitable status. Meetings take place on the last Thursday of each month, 4-6pm at Birmingham City University's Technology Innovation Centre (tic), Millennium Point, Curzon Street, Birmingham, B4 7XG.

email info@birminghammusicnetwork.com
web www.birminghammusicnetwork.com

5. i4 Skills
I4 Skills

LOW COST Short Courses Currently Available
i4 Skills courses at Birmingham City University's Technology Innovation Centre (tic) provide a low-cost way to realise the full potential of your creative talents.

Courses

Course Dates 2009

Desktop Publishing

15th May - 5th Jun 09

 

 
Graphics for Web & Multimedia 29th Apr - 20th May 09
  12th May - 2nd Jun 09
   
Digital Video Editing & Production 7th Jul - 21st Jul 09
   
Introduction to Website Design & Production 28th Apr - 19th May 09
   
Further Website Design & Production 25th Apr - 9th May 09
   
Media Project Management 23rd Apr - 7th May 09
   
Flash Video Development 14th May - 4th Jun 09
   
Documentary Production 25th Apr - 9th May 09
   
Introduction to Computer Animation 15th May - 5th Jun 09

All courses are delivered at Millennium Point in Birmingham City Centre.

For more information or to book a course phone 0121 331 6400 email course.enquiries@tic.ac.uk

6. Other News
 

Virgin Shorts

 

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© Technology Innovation Centre (tic) 2009
Millennium Point, Curzon Street, Birmingham B4 7XG
phone 0121 331 5400 fax 0121 331 5401
email enquiries@tic.ac.uk www.tic.ac.uk

Birmingham City University